Tuesday, December 24, 2019

Comparing the Salem Witch Trials, European Witchcraft...

Comparing the Salem Witch Trials, European Witchcraft Craze and the McCarthy Hearings The evidence of witchcraft and related works has been around for many centuries. Gradually, though, a mixture a religious, economical, and political reasons instigated different periods of fear and uncertainty among society. Witchcraft was thought of as a connection to the devil that made the victim do evil and strange deeds. (Sutter par. 1) In the sixteenth, seventeenth, and twentieth century, the hysteria over certain causes resulted in prosecution in the Salem Witch Trials, European Witchcraft Craze, and the McCarthy hearings. These three events all used uncertain and unjustly accusations to attack the accused. The Salem witch trials in†¦show more content†¦Neighbors accused neighbors of witchcraft, and the fright was mounting. (Sutter par. 4) The accused were mostly women, and to make them confess, different methods of torture were used. The confessions and trials of the accused witches were nonsense. Often, torture would continue until the victim had no choice but to confess of being a witch, and most of the confessions were forced. Trials and hangings continued and by the early autumn of 1692, doubts were developing as to how so many respectable people could be guilty. The educated elite of the colony began efforts to end the witch-hunting hysteria that had enveloped Salem. Increase Mather then published a work entitled Cases of Conscience, which argues that it were better that ten suspected witches should escape than one innocent person should be condemned. This urged the court to exclude spectral evidence. With spectral evidence not permitted, the remaining trials ended in acq uittals and all the convicted and accused witches were let out of jail in May of 1693. By the time the whole witchcraft incident ended, nineteen convicted witches were hanged, at least four accused witches had died in prison, and one man, Giles Corey, had been pressed to death under rocks. About one to two hundred other people were arrested and imprisoned on witchcraft charges. The witchcraft accusations in Salem had taken the lives of at least twenty-four people. In Europe, death by accusations of witchcraft

Sunday, December 15, 2019

Symptom, Problem and Problem-Solving Processes Free Essays

Discuss the difference between a symptom and a problem. * A symptom is the effect caused by the problem while the problem is the reason causing the symptom. Problem is used with the intention of finding solution to it while symptom assists to recognize the problem. We will write a custom essay sample on Symptom, Problem and Problem-Solving Processes or any similar topic only for you Order Now Would you classify excessive employee absenteeism as a symptom or a problem? Discuss. * I think absenteeism is a problem because it can be caused by some reasons. And those reasons are the symptom. For example, an employee is absent because he is sick. The problem is that he is absent and the reason is because of the symptom which is he is sick. Discuss the three types of errors that can occur during the problem-solving process. * Type I error involves solving a problem that does not exist. * Type II error is failing to recognize why the problem exists. * Type III error occurs when the wrong problem is solved. Discuss the proactive approach to mess finding. * It is recognizing a problem through the observation of one or more symptoms. It is often begin undertaking an investigation. List the steps in the problem-solving process. * Symptom recognition/ mess finding * Fact finding/ deviation Problem identification/ test for cause * Establish objectives * Generate alternatives * Solution development * Plan implementation * Set controls/ follow up What are the main purposes of a flow chart? Why might creating flow charts of the major processes for which you are responsible be a good idea when you start a new job? * To define and understand better a process. It facilitate an analysis of the steps in a process to determine the rela tionships between the steps. It also facilitates the process of continuos improvement. Because it can help for the better understanding of the processes and it will illustrate how the process works. Compare the use of check sheets and pareto diagrams. Discuss the advantages and disadvantages of each under which circumstances each would be preferred. * Check lists provides a simple recording of data by categories and enable the analyst to determine the relative frequency of occurrence of the various categories of the data but the pareto diagram provides a better organization of the data and a more polished presentation of the most and least frequency occurences. Discuss the differences between a run chart and a control chart. * A run chart can simply be defined as a graph in which data is plotted over a period of time, instead of being plotted all at once while the control chart are used to track the sample quality over time and detect any unusual behavior. Which of the tools of quality might be the most helpful in the setting controls/follow-up step in the problem-solving process? Discuss how they would be helpful in this step. * I think its flowchart because it provides a visual tool that is easy to use and understand. By seeing the steps involved in an operation or process, everyone develops a clear picture of how the operation works and where problems could arise. Compare the PDSA and DMAIC approaches to continuous improvement. What are their key similarities and differences? * Difference between PDCA and DMAIC is the organizational infrastructure required in Six Sigma.. Six Sigma and the DMAIC methodology in which its work is carried out, requires a steering committee, tollgates, a champion, and a project sponsor. Similarities is that they both improve a process in a production system. Discuss the difference between benchmarking and comparison to national average. * Benchmarking is a process in w/c organization measures its strategic operations or internal process performance against those of that best organizations within or outside of the industry while comparison to national average is used to judge the quality of their suppliers and those of national averages. National averages provides no measure of variation in performance and no information about the best in class performers. How to cite Symptom, Problem and Problem-Solving Processes, Essay examples

Saturday, December 7, 2019

Marketing Week Paper free essay sample

Also, marketing will be defined by two different sources other than the writer. Based on the definitions an explanation of the importance of marketing In organizational success will be discussed and three examples from the business world will be given to support his explanation. The raw definition of marketing with no prior experience and only speaking from speculation Is marketing Is the afterthought once a product Is developed.It Is the process that occurs to reach potential customers by making it appealing to them as if they need it. That is done by reaching out to consumers through many different channels such as radio, internet, banners that slide across cell phones during free existing on Pandora radio and television commercials during the NFG playoffs. After reading chapter one in the text of Basic Marketing: A Marketing Strategy Planning Approach it was learned that marketing occurs well before products are developed.Marketing Is defined as the performance of activities that seek to accomplish an organizations objectives by anticipating customer or client needs and directing a flow of need-satisfying goods and services from producer to customer or client (Perpetual, Cannon, ; McCarthy, 2009). We will write a custom essay sample on Marketing Week Paper or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page After checking another source It was concluded that there may be many definitions to marketing. In the text of Marketing: An Introduction marketing is defined managing profitable customer relationships, to attract new customers by promising superior value and to keep and grow current customers by delivering satisfaction (Armstrong ; Kettle, 2009). The importance of marketing is crucial to organizational success and without it no organization will make in this competitive world where every company wants to be number one. A few examples of this are Wall-Mart. They are the largest retailer in the world and this didnt happen by luck. They have a fantastic marketing department that has helped them reach out to the world the foundation of them their success, Save money. Live better. They dont Just say It on every commercial thats shown on television, they back It up by bringing the lowers prices of more of their products than their competitors.

Saturday, November 30, 2019

INTRANET CONTENT, WRITING, AND GRAPHICS - The Writers For Hire

INTRANET CONTENT, WRITING, AND GRAPHICS Deciding on Content for Your Intranet What makes you want to open your morning news source? A shrieking headline like this one? A New York Times Morning Briefing text every five minutes on your IPhone? The latest from your local journal? Answer: you open, turn on, watch, or buy the news because you’re looking for something that peaks your interest. Maybe even something you can’t afford to miss. That’s what you’re going to offer on your intranet. And although you can’t use screaming headlines to lure people to your homepage, you can offer plenty of legitimate content-bling, more than enough to make everyone from the CEO to the stock boy want to check in at least once a day. On an intranet, content is the star of the show. No question that the co-star is superb engineering. Without it, content is nothing. And great graphics improve the experience exponentially. But content is what keeps the crowd coming. That’s why decisions about what content, how often it will appear, how much space it will be given are made long before the site goes live. And knowing what your audience wants and needs will help your intranet team make some of those decisions. As far as the ‘what’ of content goes, Christie Atkins of the Thought Farmer says four favorite intranet features with employees are: company success stories, written up in detail with all the team names and accomplishments so everyone can share in the win an event section, whether it’s internal or something nearby in the community a humor section where people can share memes, gifs, videos and jokes job postings Chris Charlwood of Simple Intranet listed another five: an Employee Directoryprofiles with photographs and some personal informationfor ease of contacting one another a file repository that provides a powerful search function for content, allowing people to access information more readily HR forms that can be filled out online real-time activity feeds that permit commenting and empower employees to share what they are doing. This also provides a venue for thanking colleagues who went above and beyond in helping out. interactive tools that keep employees engaged such as surveys, feedback forums, or wikis. Other interactive features can include threaded discussions, Q A forums, competitions, and micro blogs. Entire intranet sections are sometimes set aside for training and educational opportunities executive communications document libraries teams corporate news Intranet content is as diverse as the companies and organizations that host them. The more networking you do, the more you’ll find out what unique features and devices other intranet teams have created.Tweet this Writing for Your Intranet Okay, putting some of the above features onto your intranet will only involve transferring digital data. But some will involve actual writing. And you and your Intranet team probably don’t have staff writers. You have busy HR professionals, trainers, accountants, and coders. Perhaps you even have mechanics, pastry chefs and airline pilots. And you are asking them to produce a regular amount of intranet copy in a lively consistent style. Hmmmm. Big ask. Other than offering fresh cookie rewards, these ideas may help: Encourage your writers to stick to a few basic rules of style (punctuation and usage) to give the site some consistency. A good resource is the AP Style Guide. Subscribe to the shorter-is-better concept: shorter words, shorter sentences, shorter paragraphs. (Note:   Not necessarily shorter content.) Don’t write for your college professor. Write for a fifth-grader. Microsoft Word helps you do that; see The Writers for Hire blog titled ‘Word Tip of the Week: Using the Readability Feature.’ Cut back on the adjectives and other descriptives in general, unless you’re sharing your trip to Botswana. Don’t ramble on. Before you start writing, ask yourself, â€Å"What am I trying to say here?† And then, just say it. Keep it simple. Let your personality shine through! Presumably, you are not required to be anonymous. Use plenty of graphics. Update! Update! Update! Keep your particular task area fresh. Don’t let readers see the same thing week after week. I know you can think of something new to say! Make it relevant! Irrelevant content was the No.1 gripe among Intranet Haters polled in 2017. Keep it real! A word to administrators. Producing good content, whether it’s writing, editing, proofing, or updating, is time consuming. So, a strategy for accommodating employees tasked with this new responsibilitypost launchmust be developed. Success for the shiny, new intranet means giving writers adequate time to attend to their new intranet duties, be it researching, writing, editing or updating. If your stable of newly christened writers are a little wobbly, help is at hand. First of all, be sure they have the technical skills needed to upload copy. Next, schedule a half-day writer’s workshop, presented by a professional writer. Offer one-one-one training from a professional who can help inexperienced writers organize materials and produce copy more easily. Create easy-to-use templates with goals for each piece and instructions on types of information required for each content area. Set doable deadlines that are agreed to by the subject matter experts (SMEs), and give SMEs a reason to meet those deadlines. Tying content to a real time event – even if it’s just a weekly announcement giving kudos or mini-awards to contributing authors, can help encourage your SMEs to push through to the finish line.    The Graphics: How Your Site Looks Think of your intranet visuals as the cover on the book, the headlines above the fold, the landscaping in your front yard, the faà §ade of a retail store. The exterior is not where the real stuff is, but it does invite you in. And even more important, like Ikea’s endless aisles, if the exterior is enticing, it might just lure you deeper into the interior! â€Å"Don’t spend all the time and effort planning out your intranet and coming up with content strategy just to stumble because it doesn’t look pretty,† advises Carlos Ruiz, Phase2 Account Director. He warns that sometimes out-of-the-box solutions lack the ‘wow’ factor companies are looking for. But beyond simple esthetics, the visual appeal of your intranet can be extremely important when it comes to building a lasting relationship your users. Think of the many Websites you’ve been exposed to. Each site is meant to influence a visitor’s psychological state of mind as well as impart information. Designers will tell you that’s because the colors, the lines, the slant of the curves, the movement of the eye either to the left or the right, or up or down, are all calculated to please a particular audience. It’s no different with a company intranet. It sends a visual message about who you are as a corporate entity and it adds to the value of your corporate brand. Equally important, good graphic design increases the usability of a site, helping to keep navigation simple, No doubt when you’re in the planning stages, you’d like to take a look at other intranets to get a feeling for visuals that appeals to you. But unlike print materials, and Websites, you can’t view intranets and say, â€Å"Hey, I like the visual feeling of that one.† Intranets are, by nature, private. However, you can catch a glimpse of other intranets by ordering The Neilson Norman Groups Intranet Design Annual: 2018. This 463-page report has detailed information about its ten prize-winners for the year including 155 full-color screenshots of before-and-after designs, which are usually protected behind the organizations firewall. In Conclusion Think about it. When it’s done, your intranet site will be an amazing communications channel with usability and features that would have been impossible even a few years ago. Serving multiple objectives and reaching a broad audience, its many features will function in a variety of ways that that owe their existence to constantly improving technology. At the very least, your intranet will be easy to use, pleasant to look at, make work faster for your employees, give them a greater sense of engagement, and a greater voice in the company as a whole. Pretty cool, huh?

Tuesday, November 26, 2019

Changes Caused By Global Warming Essays - Climate Change

Changes Caused By Global Warming Essays - Climate Change Changes Caused By Global Warming ENGLISH DOCUMENTRY ASSIGNMENT Proposed topic: How the World is changing due to the effects caused by Global Warming The reason for this topic is our increasingly changing climate. Every year our climate continually is changing and becoming warmer. However it's becoming more and more difficult to change our polluting ways. Though this documentary I'd like to get the publics attention about our ever-changing climate. For this topic I would like to have a god like sounding narrative voice. A demanding voice, with both compassion, and intelligence. This voice is necessary to get the point across. The thesis for this documentry is how can we prevent the destruction of our climate. This thesis is necessary because the side this documentry well be taking is to focus on how we can change or stop the damage which has been done to our environment. More so with this thesis there is many branches that lead to informative and substantial evidence to support this thesis. Seemingly this thesis also gives room for the solutions to this problem. Through this thesis I hope to narrow my topic and also allow enough room for a insightful and interesting documentary. The target audience for this documentary is anyone with the concern for the environment. However it really effects everyone on this planet. Theoretically this documentary is directed at everyone. Research on this subject is very extensive and information on it is easy to find. For instance just look at the winter that has just passed for evidence. Several questions to be answered from this documentary would be; 1. What changes are to be expected in the future? 2. What consequences of these changes can we expect? 3. What solutions are there? I'd use an upbeat, original, and futuristic style. By incorporating wide angle shots, and futuristic settings.

Friday, November 22, 2019

Chemical Hazards In The Working Environment Environmental Sciences Essay

Chemical Hazards In The Working Environment Environmental Sciences Essay Chemical Engineering is defined as the branch of engineering which is involved in the application of physical science and mathematics to processing and converting raw materials and chemicals into more useful forms. The outputs and methods of these processes are not always safe and chemical hazards need to be overcome to make the working environment a satisfactorily hospitable for everyone that the process affects. This includes the general public and the environment as well as the workers involved. Chemical Engineers need to ensure that the safety measures which they devise regarding certain processes are adequate enough not to pose hazards and to meet the regulations of the law. This term paper will outline some of the hazards which Chemical Engineers and other workers in the industry need to neutralise to ensure that the working environment is safe for those involved. A hazard is defined as anything which could result in an accident. Such hazards include those caused by the releas e of noxious chemicals which can prove damaging to the health of people and the environment. Chemical hazards can be especially dangerous due to the toxic nature of the substances used in the industry. Plant Safety The health and safety of plant workers is a major concern to the chemical industry. Accidents which result in loss of life or injuries are especially damaging due to the high costs they inflict. Costs in retraining personnel, repairing equipment damaged in have huge costs, as well as the interruption in business that ensues after an accident. The trends have shown that over the years fatalities have decreased but property costs have increased. This trend is due to the increased automated systems used in plants. These systems have increased complexity and productivity to older designs. In earlier designs the workers were more exposed to the chemical processes taking place in the plant, and were in turn exposed to more hazards. This however poses another problem because if workers are more isolated from a process, even if this greatly reduces health and safety hazards then if a malfunction occurs in the plant it is much more difficult to have experienced personnel available to fix a process problem. Due to this action compensation must be made in the case of higher property costs as opposed to loss of life and injury to workers. â€Å"As of the early 1990’s, annual worker fatalities ran about 9 per 100,000 employees; annual lost time disabling injuries ran about 4,000 per 100,000 employees. Property Losses increased fourfold from the 1970’s†. Safety assessments are now undergone on chemical plants to ensure that they adhere to safety levels proposed by regulation standards. Quantification of hazards such as overpressure potential and flammability were done by measurements of vapour pressure and of flash points and flammability limits. The process designers need to make use of data that gives information pertaining to the hazards o f a process such as information of reaction rates and the energies involved in exothermic reactions in which heat is given out, that of unstable chemicals, of temperature limits in which explosive decomposition can occur, rates of generation of gas and vapour and emergency fail-safes such as pressure releases for high pressure systems.

Wednesday, November 20, 2019

J.K Rowling's Harry Potter Series Essay Example | Topics and Well Written Essays - 1250 words

J.K Rowling's Harry Potter Series - Essay Example (What is a Literary Canon) The past decade witnessed some classic works from different writers but none got as much appreciation as the J.K Rowling who could undoubtedly be called as the queen of children literature of the present era. Starting her career in 1997 from her first book 'Harry Potter and the Sorcerer's stone' which was well appreciated by the global audiences, she quickly rose to a figurehead among the children and elders alike. Despite her huge achievements in such a less time, she is not recognized as a part of the literary canon. In this paper we would discuss why J.K Rowling should be included in the literary canon. Many of the critics argue that Rowling's books run along the same theme as many of the previously published children books. Like Dickens's Pip and Bronte's Jane, Harry begins his life as an orphan and a normal boy who is a subject of taunts and snide comments from his relatives. Like almost all its preceding children books, Harry Potter is punctuated with social concerns with a touch of personal feelings, emotions of passion, selfishness, selflessness, petty misunderstanding, love, anger and vindictiveness. However Rowling has done something with Harry Potter which no other writer has previously done which has what earned Harry a place unlike that of his fellow epic heroes. Her sense of writing is what has earned Harry its current place. Rowling has described characters in an interesting way, describing enough to give true idea of the characters while leaving enough to arouse curiosity in the readers. Her description of scenes and their interaction with the plot acts like a key in a lock- perfectly matched. Through her characters and story, she has got her readers engaged in the fascinating web of the story. Therefore even though her storyline is similar to many other children stories, her way of expression and writing gives her a level far above the other writers, making her a worthy candidate for the literary canon. (Nye) A point which is often raised against Rowling's admission into the literary canon is actually a point in her favor. Many say that Rowling's story is not unique as it runs on the same theme of magic, wand lore, wizards, witches, elves, giants, goblins, unicorns and fairies. Rowling makes this simple repetitive theme wonderful and appealing through the magic of her writing. Rowling combines all these magical elements into an extensive tale of a teenage boy. The Harry Potter saga could be seen as a product of every child's dreams and nightmares which is the reason why it gained such an appreciation. Like all other books which runs on the theme of magic, apparently Rowling's 'Harry Potter' too seems outlandish and out of the world but the story is intimately linked with the human elements which does not alienate the readers. This representation of human experience combined with a magical theme is one of the best qualities of her writing. Obvious examples include Arithmancy which could be called as Mathematics, Potions as a counterpart of Chemistry, Healers are actually doctors while the Policemen as Aurors. Even the wizard sport Quidditch could actually be seen as aerial football. These human elements separate Rowling's work from other stories and earn her book a place in the hearts of its readers. (Harry Potter and the

Tuesday, November 19, 2019

Business Communication Assignment Example | Topics and Well Written Essays - 1500 words

Business Communication - Assignment Example Thank you for your letter dated 20 March, 2013 regarding to the quality issue of kiwi fruits, we regret for the inconvenience caused to you in this regard and thank you for allowing us to examine your issues. We had started taking corrective actions after receiving your earlier phone call. At the time of packing, we cross checked and found that the products were up tothe standard. Also, we are sure that the problem might have occurred during the transit, as we did not receive any issues before that. Please let me know,when is the consignment required by you,after getting the confirmation from your side, we will make the arrangements to deliver the product to you within two days by using the special express delivery methods. In order to avoid causing inconvenience to others, the management has planned to place two containers near the external back door which is to be used as an ashtray and rubbish bin from 15 March, 2013 onwards. Any feedbacks from our staff members are invited on or before 13 March, 2013 in this regard, so it will enable us to consider the facts before implementing them. We observed from your letter that you had purchased Del Mar Cellular Window Shades C1116 on June 2009 as well as onAugust 2009. From your mail, we have understood that you are not unable to locate the invoice for the purchases made on August 2009,on which you are facing the issues. As per the norms of the company, we can only guarantee the services only when you produce the invoice copy. For this, you can either search for the invoice copy in your premises. Else you can obtain the duplicate copy of your purchase by going to Cellini’s store. If you are able to locate the invoice copy, then we can personally guarantee that our warranty services will be free of cost or else our concern person will visit your place and verify for the barcodes which available on the product; if it is ours then we will definitely rectify the

Saturday, November 16, 2019

Transnational companies Essay Example for Free

Transnational companies Essay Country H could concentrate completely on production of good X or of good Y, X = f(L + K) Y = g(L + K) but by doing so they would be using resources in production of one good that might be better used in production of the other. Therefore the production possibility frontier is concave. Note also that because country H is well endowed with capital, it can produce more of capital-intensive good Y than labour intensive good X, hence the bias in the curve towards production of Y. Because competitive firms wish to maximise profits, we can assume they will produce at some point along this PPF. The utility maximising consumers decide where. An important assumption made by economists in many trade models is that of community indifference curves (CIC). We can take an aggregate of all individual indifference curves to make a set of CIC. As long as trade is not allowed, production will take place at wherever the PPF is tangent to the CIC that is furthest from the origin. This is our autarkic point. One final point to make is that at this point the price ratio is equal to the slope of the PPF or the marginal rate of transformation (MRT). Mathematically, p = px/py = MRT =Â  Y/? X (where px and py equal the respective prices of X and Y). Thus for given production functions and community preferences in autarky country H will produce and consume at Ah. Similarly with opposite factor endowments but facing the same production functions and community preferences, country F will produce and consume at Af. Allowing free trade means that producers face a new international price ratio as a result of the equalisation of prices. They now have an incentive to produce more of what they can export because the can receive a higher price for it. The Heckscher-Ohlin theorem states that a country will export the good which intensively uses its relatively abundant factor. (Markusen et al 1995, p. 106). So in country H, the price of good Y will rise while that of good X falls, causing consumers to prefer good X. Producers of X however see higher profits can be made by producing good Y and because factors are intersectorally mobile, they can do so. The resulting surplus of Y can be exported at the international price level. Finally, consumption will occur where the international price ratio is tangent to the CIC furthest from the origin. Another consequence of free trade is the equalisation of factor returns. This is the consequence that labour unions in the developed world are concerned about. In our example, country H (we shall now assume to be the U. S. ) experiences an increase in the price of capital-intensive good Y (which might be aeroplanes) and a decrease in price of labour-intensive good X (for example textiles). The important consequence of different factor endowments in the two countries is that the resulting price ratios of goods X and Y are different. Therefore in country H, capital-intensive good Y is relatively cheap and labour-intensive good X is relatively expensive with the opposite being true in country F. Lowering the barriers to trade gives consumers in H access to the markets in country F, where they can buy the labour intensive good X more cheaply. Similarly, consumers in country F can buy good Y cheaply if they import it from country H. Producers in each country are then forced to adjust production to suit the new patterns of demand In questioning globalisation, Hirst and Thompson (1995) investigate the flows of capital around the world and show They suggest that negative consequences of this may include a reduction in the power of governments to control their own affairs. Although this is an important issue, worry from the perspective of an economist is the extreme pursuit of economic development with no consideration of health or ecological issues There are those who assert that globalisation is desirable and use economic theory to show that all countries concerned can benefit from an increase in trade. Alternatively there are those who question whether globalisation is really happening and conclude that there are not as yet trans-national companies who Julius (1990) and Ohmae (1990) claim that numerous TNCs within the developed world go wherever investors see a return on their investments. So during the 1980s a smart TNC would initiate operations in the emerging markets of Korea, Taiwan and Hong Kong. When confidence was broken in the 1990s it would withdraw its assets from East Asia and head for safer shores to take advantage of the new economy in the U. S. This leads many to think that by examining capital flows one can identify transnational companies.

Thursday, November 14, 2019

Harriet Beecher Stowes Uncle Toms Cabin - The Power of Love :: Uncle Toms Cabin

The Power of Love in Uncle Tom's Cabin In Uncle Tom's Cabin, Harriet Beecher Stowe supplies the reader with two diametrically opposed characters, the two children, representatives of the two extremes of society. The fair, high-bred child, with her golden head, her deep eyes, her spiritual, noble brow, and prince-like movements; and her black, keen, subtle, cringing, yet acute neighbor. They stood representatives of their races. The Saxon, born of ages of cultivation, command, education, physical and moral eminence; the Afric, born of oppression, ignorance, toil and vice! The two children, Evangeline and Topsy, teach us a lesson about love. While Evangeline's "form was the perfection of childish beauty" and "there was about her an undulating and aerial grace," the "expression of (Topsy's) face was an odd mixture of shrewdness and cunning" and "there was something odd and goblin-like about her appearance." When "no word of chiding or reproof ever fell on (Evangeline's) ear for whatever she chose to do" Topsy was "whipped with a poker, knocked down with a shovel or tongs, whichever came the handiest." "Always dressed in white," Evangeline moved "through all sorts of places, without contracting a spot or stain" while Topsy "was dressed in a single filthy, ragged garment, made out of bagging." Of Evangeline, Miss Ophelia remarked, "Well, she's so loving! After all, she's no more than Christ-like," and of Topsy, "so heathenish." Evangeline told Tom her Christ-like feelings about slavery: "I've felt that I would be glad to die, if my dying could stop all this misery. I would die for them, Tom, if I could." The word "God," however, is meaningless to Topsy. When asked who her parents are, she responds, "I spect I grow'd. Don't think nobody never made me." "A thousand times a day rough voices blessed (Evangeline), and smiles of unwonted softness stole over hard faces, as she passed; and when she tripped fearlessly over hard places, rough, sooty hands were stretched involuntarily to save her, and smooth her path." Such was not the case for our mischievous friend Topsy. When Evangeline spoke to Topsy about her habit of stealing things, she asked her, "Poor Topsy, why need you steal? You're going to be taken good care of, now. I'm sure I'd rather give you anything of mine, than have you steal it." These were "the first word(s) of kindness the child had ever heard in her life" and "something like a tear shone in (her) keen, round, glittering eye.

Monday, November 11, 2019

Products & United States Essay

The product selected for this particular study is Crest whitening toothpaste. Crest has been one of Proctor & Gamble’s major global products since it was launched in the United States in 1955. Since then the product has changed in a few ways, namely in the active content of the product, and how it is marketed. This study will look at whether these changes were successful, and what strategies were used by Proctor & Gamble to initiate these changes. In the last five to ten years, the Crest range of toothpastes has been expanded to include a variety of products which promote the whitening element of the core toothpaste product. These include the development of a long lasting mouthwash to complement Crest toothpaste as well as whitening strips which can be applied to teeth after brushing and mouth washing. The core product has also been changed, with a wider variety of Crest products, from sensitive whitening to weekly cleaning cream. These changes and the excellent brand management at Proctor & Gamble have allowed the product to be developed slightly but clearly and concisely, without moving away from the core strategic elements of their corporate strategy, to deliver products which improve the lives of everyday people around the world. These changes have been made using a simple brand management strategy, which was not to try and develop the next big thing, but to focus on what Proctor & Gamble are good at, and maintain the market share of the old staple products, such as Crest.   This strategy was implemented by the CEO Alan Lafley, who was appointed in 2000. He wanted to streamline the business around its core products, and Crest was one of those products. This brand building strategy was very successful and has helped Proctor & Gamble become one of the biggest companies in the United States today.

Saturday, November 9, 2019

Narrative traits in Indian cinema Essay

In a nation that produces around 800 films a year Indian people see films a a very important part of their culture. For Indian people â€Å"cinema is integral to their lives; it is not a distant, two to three hour distraction, but an explicit life-style for them.†(Jaya Ramanathan). The large screen provides an alternative, an escape from the realities of day-to-day life. The protagonists are totally identified with, the hero is applauded, the virtuous is worshipped and the villain is condemned. The actors and actresses are household names; there is no escaping their omnipresence. Through this essay I will try to examine what makes Indian cinema Indian. By that I mean what narrative and visual traits are intrinsic to Indian cinema and have little relevance to cinema of America or Europe. The subjects I am going to look at are the song and dance routine, how it came about, what it means and why it’s so important to Indian cinema. I will look at the treatment of women and how sexuality of women is represented in Indian cinema, the importance of the actor within Indian society and will briefly look at the use of costumes and elaborate sets used within the Indian film industry. First I will briefly consider some traits associated with American and European cinema as to see how these cinema types differ from that of India. The cinema industry in Europe has a highly complex make-up, reflecting the cultural and expressive diversity of individual nations. If, on the one hand, the quantitative production levels of Europe’s cinema industry have remained high (at roughly 600 full-length features a year, on a par with the United States, However only a minority of European titles manage to cross the borders of their country of origin. This is one major difference from Indian film with it having one of the highest worldly distribution figures off all cinemas. Hollywood makes films for the public, and if the public’s tastes change then Hollywood films will also change. They pay money to have their ideals massaged and their values reaffirmed. And if Americans won’t pay money for it, then Hollywood doesn’t want to sell it. The narrative of Hollywood films’ is a straight plot, in which nothing is left unclear, unsettling or unexplained and every shot is justified by a link to strictest cause and  effect. Hollywood films are often viewed as dulling the mind. This is far from the case in Indian cinema where the plot is created with the aim of making people think about what has happened, this is often applied to their own lives in some way. In America people generally view films for mere entertainment where as Indian people watch films and use the moral codes implied within the narrative to better their own lives. Special effects, violence, and actors’ names are often major themes that bring Americans to the movies. While most Hollywood films are made purely for entertainment value, many foreign films are entertaining as well as forcing the viewer think and question their surroundings at the same time. In India, movies are more than simply entertainment. They are dreams, escape, fantasy and alternative realities – a necessity in dealing with the drudge of everyday existence and routine. Especially now that they have the cinematography, acting, scripting and associated parts down like a science – to the point of stretching the limits of imagination and modifying what â€Å"is† into another realm altogether. While perhaps lacking in the area of Western sophistication, this lack is probably the biggest advantage Indian films have over the rest of the World. They are simply fun to watch. Indians enjoy seeing people interacting with each other and the films reflect societal practices and norms. The form of Indian cinema has a great deal to do with how popular entertainment has been traditionally perceived and defined in India. â€Å"Entertainment is quantified as a combination of the essence of the nine basic emotions. Complete entertainment is possible only when the nine emotions, love, hate, joy, sorrow, pity, disgust, fear, anger and compassion, are blended expertly in different ways around a predominant emotion. The main emotion could be love, joy, hate or compassion, but if not complemented by the others, is neither defined nor experienced.† (V. Damodaran & M. Unnithan-Kumar) There are certain traits that are commonly associated with Bollywood movies. These include: â€Å"XExtensive use of other performing arts such as singing and dancing â€Å"X Treatment/representation of women â€Å"XThe importance of the Actor within society â€Å"XThemes centred on Moral values and cultural struggles â€Å"XLarge studio sets with elaborate decoration & elaborate and brightly coloured costumes Bollywood is a term used to describe the Indian film industry, the largest in the world in terms of film production. In 1990 India produced 800+ films (more than two a day). Bollywood’s cinema going audience, in India, Pakistan and elsewhere is also one of the biggest in the world. Song & Dance Indian films are known all over the world, but ask an English or American person and they will probably say Indian films are about singing and dancing. If you ask someone in the Middle East they may say Indian films revolve around action and if you ask someone elsewhere in Asia they often define Indian movies as love stories. So, overall it is probably Westerners who most of all see Indian movies as just song-and-dance. This is probably partly down to ignorance on our behalf and also due to the fact that musical film has been largely abandoned in Europe and America, or it is defined under its own genre ‘musical’ which often deters people from watching.. Therefore I feel this is a good place to start in terms of considering what makes Indian film different from American or European film. The narrative structure of popular Indian films is punctuated with songs and dances, usually around six songs. The origins of this tradition can be traced back to the ballets in Indian dance-drama. These song and dances are often referred to as filmi music (a desi word) . Song and dance can have many narrative functions within an Indian film. It can be used to show the  emotions and show the real interiority of characters. These song and dance sequences are more often than not used as merely musical interludes or rest periods between the dialogues of the film. The music director’s main effort in the film is to compose attractive melodies set to often fine lyrics of a high literary quality. In early Indian film the heroes and heroines sang their way through the four hour movie. The acting quality and appearance of the character counted for little as it was singing talent that was important. To this day the Indian film song has a unique thrill. The music director, the songwriter and the playback singers have an unparalleled status in India. These song and dance sequences have played a very important part in Indian films since their birth, around 1913, and they have contained some of the best Urdu and Hindi poetry within its lyrics – this was especially the case during the 1950†² and 1960’s period of filmmaking. This era was considered the golden era in this genre with films such as Pakeezah (purity), directed by Kamaal Amrohi, Jhanak Jhanak Payal Baje, directed by Rajaram Vankudre Shantaram as excellent examples of the use of song and dance. The most popular form of music in India still continues to be the film song. In the last few years, the market for popular music has grown massively. â€Å"Today, it is not unusual for films to be designed around a set of songs rather than the other way around. There is an increasing trend to use the narrative of a film simply as a string to hang song and dance numbers, much like a music hall revue. With the new audiovisual technology available, they can often resemble an extended music video peppered with action and dialogue.†(V. Damodaran & M. Unnithan-Kumar) Indian cinema has some of the best song and dance sequences in the world cinema and often excels Hollywood musicals through the way in which they link their dialogue and musical lyrics. Examples of this quality can be seen in the work of Guru Dutt in films such as Pyaasa (1957) which he Directed, wrote, produced and also starred in. This film is interesting because the songs are often inserted in the story itself, (apart from the Guru Dutt-Mala Sinha duet scene) and are not only musical picturizations of fantasies, dreams, etc., as it is often the case in later Bollywood films. Examples of his song sequences rival the best in world cinema and in many cases excel the Hollywood musical in the subtle linking of dialogue and lyric. These  directors transformed the film song into an art form and confirmed that music was Indian cinema’s greatest strength. Even today, Indian filmmakers are aware that their moment of cinematic glory can come from the songs. Every decade since the 19 50s, a huge majority of films that would otherwise have been completely forgotten are saved by a marvellous musical sequence in which melody, lyrics, camera movements, choreography and performance combine to magical effect. More than anything the phenomenon of song and dance gives Indian Cinema its unique identity. Unlike Hollywood, where the ‘Musical’ was a separate genre by itself, song and dance has been an integral part of the narrative in Indian Cinema be it in any language or whichever genre often leading and us Westerners often describe them as Indian musicals – often not realised by us that almost every different genre of Indian film contains song and dance. Film songs have been used to express all aspects of Indian life – weddings, funerals, state occasions, religious festivals, parades, parties or political conventions. Over the years, The Indian film song has evolved and many critics say that it has no reached perfection. Consequently film music is by far the most popular brand of music in India. Film makers have realised the importance of the song and dance in their films. Even today with all the visual aspects of the Indian films such as costume and sets, the song is often the single factor that determines the success or failure of a film in India. Stars of Indian films are often seen as heroes and are idolised. Nasreen Munni Kabir tells us how â€Å"people want to act, talk and look like their idols. In every decade, barbers have been asked to give their clients an Ashok Kumar, or Dilip Kumar or Shah Rukh Khan cut and tailors have always been told to copy the clothes of the beautiful Madhubala or Aishwarya Rai†. Until the early 90s, star gossip was almost exclusively reported in the dozens of film magazines but now interest in the world of cinema is so extensive that virtually every daily newspaper devotes endless print space to who is doing what in Bollywood. Representation of Women & Sexuality In early Indian cinema codes of practise followed by performing arts were also applied to the film industry. One ‘rule’ was that women of high reputation discouraged from working on screen as it was considered unacceptable by society for women to perform to perform in front of men whom were total strangers. As a result of this rule men played the roles of women. Nasreen Munni Kabir2, in his book Bollywood: The Indian cinema story, discusses how women were only gradually accepted in theatre but soon after the production of films in India women became increasing willing to act on screen, however Muslim or Hindu actresses were often frowned upon and thought to have not come from good families. This was not the case for Jewish or Christian actresses; these were seen as being above this type of criticism because of their religion. According to the Manusmriti, an ancient classical work dealing with laws, ethics, and morality, a woman should be subject to her father in childhood, in youth to her husband, and when her husband is dead, to her children. Within the guidelines of the Manusmriti, women do not enjoy independence. Women are supposed to adhere to the role of a happy figure that takes care of the household. They are supposed to be obedient to their husbands and go to every length to honour them even after death. These ethics were transferred to film and the role of the woman in Indian films is often one of extreme loyalty towards her father, husband and children. The female character is often a centrepiece to a narrative with other, predominantly male characters working around her. In traditional Indian Society, there are certain prescribed roles which regulate the conduct of women. For example, the conception of the woman as Sita is prevalent in Indian society and film. Sita is a character in the Ramayana, one of the great epics, which embodies values and the differences between right and wrong. She is the wife of Rama, who is representative of many virtues including honor, courage, and loyalty. Much of Indian popular cinema is influenced by the Ramayana and the Mahabharata, another epic, which involves the hero Lord Krishna. Sita is the ideal woman and wife that  sees her husband as an idol. Indian popular cinema represents this role of the ideal wife’s admiration and unfaltering respect. In a great deal of popular Indian Cinema the role of the women can be separated into four categories. The four categories to consider include the ideal wife, ideal mother, the vamp, and the courtesan (Dissanayake 77). The Ideal Wife (often Heroine) This character is represented by sexual purity and fidelity. The wife must be consistent with traditional Indian roles by honouring the family and depending on the husband. The definintion of the heroine in early Indian films was closely linked with mythological charaters. Nasreen Munni Kabir uses the virtous Sati Savitri as the perfect model of the women. Savitri is famous in mythology for bringing back her husband from the clutches of Yam, the god of death through her endless devotion to him. From that moment on all portrayals of women in cinema were measured against Savitri. Heriones were almost always seen as virtuous, weepy, helpless characters whose sole existence relied upon the presence of a man in her life – husband, brother or father. If the heroine were not married then it was assumed that she was a virgin. The basic idea in all Indian films from 1930’s to the present day is that the heroine will finally get her man. Rani Mukerji states â€Å"The ultimate goal of the heroine is to get her man in the end†¦This may not be shared by the hero. Whether it’s a comedy, a romantic film, an action film, a horror film – you always have romance winning in the end†. The Ideal Mother Indian reference to the mother involves religious suggestion. The country is connected with the mother goddess, Shakti, who represents great strength. The role of the mother in Indian film is often seen as a strong force, such as in Mother India. This film showcased the Indian Woman completely with her strength and emotions. (1957). Radha (Nargis) is a mother, who is left to look after her sons after her husband leaves out of shame of not being able to fend for his family, due to an accident. Radha throughout the film faces  many struggles, raising three boys, fighting poverty and debt, as well as other tragedy in the family. She is a representation of the mother being strong and the backbone of any family. Mehboob Khan’s Mother India is really a great tribute to an Indian woman. The Vamp The vamp in Indian film is modern and imitates western women and is usually more of an equal partner to the man than the heroine. Her stereotypical behaviour can include smoking, drinking, and dancing. She represents unacceptable behaviour and is seen as unwholesome and is almost always punished for her behaviour. Indian films are representative of Indian society†¦from beginning to end it is full of values†¦The character of the vamp is used to pass judgement on sections of society that are not acceptable to the traditional middle class†¦The middle class always pats itself on the back when it see ‘the vamp’: ‘Oh see, she’s smoking and drinking and she’s wearing those skimpy clothes. My daughter in doesn’t, mother doesn’t etc.†( Archana Puran Singh) These images help the middle classes reaffirm their faith in their own values. An example of this type of woman is the character of Chandramukhi, a prositue in the film Dev das (P.C. Barua) whom falls in love with Devdas (hero) however, he loves Paro. There is one film that goes against moral convention in Indian cinema, with the hero choosing to fall in love and end up with the vamp – Guru Dutts Pyassa. The Courtesan The courtesan is outside the normal realm of Indian womanhood she is a type of dancing girl. She embodies sexuality. She is a character who helps with the physical and emotional needs of men. Often in Indian film, she gives the man comfort and care, after which, he leaves her to desperately mourn the loss of him. Archana Puran Singh explains the difference between the vamp and the courtesan â€Å"The difference is that the vamp has choices. The courtesan is someone who had no choice in being a courtesan. †¦there is always said to be a sad story behind her.† Indians are therefore sympathetic towards this character whereas the vamp is frowned upon. â€Å"If the courtesan  is performing a dance it’s not out of choice and amazingly very often the courtesan remains a virgin with purity of mind and body†. The hero is attracted to her because she represents a forbidden aspect of sexuality, one not shown in the heroine, but shown often too much in the vamp. The he ro can watch her and she often will fall in love with him – often causing confusion in communication causing what is often depicted in Indian cinema – The love triangle. Although Indian cinema continues to change and evolve, reflecting new trends in gender relations, at least in very traditional Indian cinema women who live by these traditional norms are portrayed as happy and ethical. Women who go against these rules of narrative and culture in film are punished and seen as immoral. Indian films never show scenes of a sexual nature; even kissing was unknown in Indian film for a long time, however, this is not to say that Indian films lack passion and desire. The women in Indian films are often the focus of male desire. Public displays of affection are associated with western life and tend to be omitted from Indian film. Although more recent films often include scenes of overt sexual relations, traditionally Indian film has used three techniques to convey this sexuality as categorized by Richards as tribal dress, dream sequences/wet saris, and behind the bush. Tribal Dress Because many Indian films involve music and dance, Richards explains, â€Å"tribal costumes are used for the exposure of vast expanses of the body, in particular the pelvic region† ( Dissanayake ). Dream Sequences/Wet Sari Dreams offer the ability to express sexual desires and explore forbidden pleasure. Wet saris are often involved in these dreams and are caused by a downpour in which the woman’s flimsy sari allows for exposure of the female body. Dance director Lollipop, known for choreographing the song ‘Aati Kya  khandala’ in the film Ghulum (Vikram Bhatt, 1998) notes that â€Å"the wet sari must not only have the heroine wearing a sari but the hero wearing a cap so that the rain falls in front of his eyes† this is a sequence that has become a audience expectation. Psychotherapist Udayan Patel has his own views on this wet sari dance. â€Å"The gyrations are repeated and the use of the eyes and lips, all suggest overt sexuality. In our culture, we are split between living through private imaginations and social behaviour. .. . There is no kiss, there is no sex. If its explicit they people cant ignore it and parents will say it’s a bad film. I don’t think producers want this as they would lose big audiences. So sexuality is expressed through dance and the movement you of sexual intercourse without touching or kissing.† Behind the Bush The music and dance in films often gives characters the opportunity to run behind the bushes quickly. Afterwards the woman wipes off her lips, insinuating what occurred. Importance of actor within society There are high levels of devotion and hero worship towards leading stars of Indian cinema. People want to act, talk and look like their idols. In every decade, barbers have been asked to give their clients an Ashok Kumar or Dilip Kumar or Shah Rukh Khan Cut and tailors have always been told to copy the clothes of the beautiful Madhubala or Aishwarya Rai. Until the early 90s, star gossip was almost exclusively reported in the dozens of film magazines but now interest in the world of cinema is so extensive that virtually every daily newspaper devotes endless print space to whom is doing what in Bollywood. It is not only in terms of magazines and haircuts that these people are followed, it has been known for highly acclaimed actors or actresses to become members of government, as it is believed that because people follow them on screen and idolise them then this will be the case in government where they can actively change the lives of their fans and society in general. One example of this occurrence is with Shabana Azmi. Shabana is an internationally acclaimed actress, Member of the Indian  Parliament, and UN Goodwill Ambassador. She is the winner of an unprecedented five National Awards for Best Actress in India for the films Ankur (1974), Arth (1983), Khandhar (1984), Paar (1985), and Godmother (1999). She is also an extremely vocal and committed social activist, for which she was presented the Rajiv Gandhi Award as well as the Yash Bhartiya award from the government of the state of Uttar Pradesh, India. Most significantly she was awarded the Padma Shri in 1988 by the Government of India, an award given to eminent citizens for excellence in their field and distinguished contribution to society. She describes why she was driven into politics after movie making. â€Å"What ultimately drove me towards politics was this essential contradiction: if the whole purpose of art is to sensitize people, how can you say that this sensitivity is only going to be directed towards yourself and giving a better performance? This is simply not possible since the best resources of an actor must come from life itself. So when you are in films playing characters struggling with social injustice and exploitation, then a time comes when you can no longer treat your work like a nine-to-five job. I could n ot think that as of 6:00pm everyday, I would no longer concern myself with the lives of the people I choose to play. This turn came about some time in the early-80s† (Shabana Azmi) Moral Values & Cultural struggles Indian movies usually centre around moral values and binary oppositions such as unconditional love, the conflict between fathers and sons, revenge, redemption, the hero, the villain, survival against the odds, the importance of honour and self-respect, and the mission to uphold religious and moral values – grand themes that Hollywood generally leaves to the now rarely produced epic. The characterizations in Indian films are often based on archetypes of good and evil. Here are some examples of this binary opposition in Indian film: GOODEVIL HeroineVamp HeroVillain Indian societyWesternisation MoneyPoverty Love Loneliness Ever Indian film shows a struggle between at least one set of these oppositions above. Independence films had tended to deal with the confrontation of Western culture with Indian tradition. Westernization was seen as an aspect of colonialism. Western values were considered inimical and threatening to Indian familial social tradition. Villains tended to wear western clothes; westernized women were seen as vamps. In the hero versus villain situation, it was always the villain who was westernized and therefore, depraved and perverse. The Indian tradition was seen as being liberating and also the sole repository of moral and social values. Costumes & Setting Other key contributors to Indian film are the set and costume designs. There is a huge demand for exciting, colourful action scenes as this has great appeal for the young male audience. This is also how the handful of set and costume designers work. In the Bollywood movie, set design can range from the rickety and make-shift to the elaborate and lavish. Costume design has always been important but never as much as in today’s culture of glamour and beauty. Bollywood designers have become so trendy that many create clothes for exclusive weddings of the ultra rich as a side line. The unique style of Indian cinema is explored through an analysis of the mis-en-scene of the film itself–the locations, the sets and costumes–and shows how they, along with the song and dance sequences, construct the ‘look’ and meaning of a film. Use of hairstyles and make-up is examined in the context of  representations of the body in order to explore changing ideas of beauty and sexuality within the film genre. Conclusion From this essay I can conclude that Indian film is very different from that of American or European films in many ways. Some of these being: *Indian cinema is more socially challenging than American cinema *Indian film delivers messages about how Indian people should live their lives *Indian cinema treats women as objects inferior to men *Women are stereotyped either good or bad ( heroine or tramp) *Indian cinema always has romance *Indian cinema does not use spectactular specil effects *Indian cinema does not include any sexual relations *Indian cinema focuses around song and dance Eventually, Americans and British alike can begin to appreciate a more intellectual type of film such as the films popular in India. We need to learn to be willing to open our minds to new possibilities and new ideas. Once we are willing to think for ourselves occasionally, Hollywood can stand out as the film capitol it supposedly is While Indian cinema is unique to Indian culture and history, its energetic style, the emotional appeal of its themes, the glamorous lifestyles portrayed, the enduring melodies and lush settings, all contribute to its increasing popularity worldwide.

Thursday, November 7, 2019

Guidelines for Using Double Possessives in English

Guidelines for Using Double Possessives in English Take a good look at the following sentence: Natsaha is a friend of Joans and a client of Marlowes. If this sentence strikes you as extremely possessive, youre on the right track. The combination of the preposition of and a possessive form- either a noun ending in -s or a possessive pronoun- is called a double genitive (or double possessive). And while it may appear overly possessive, the construction has been around for centuries and its perfectly correct. British novelist Henry Fielding used the double genitive in A Journey From This World to the Next (1749): At seven years old I was carried into France . . . , where I lived with a person of quality, who was an acquaintance of my fathers. Youll also find it in Anne Brontà «s second (and final) novel: Shortly after, they both came up, and she introduced him as Mr. Huntingdon, the son of a late friend of my uncles.(The Tenant of Wildfell Hall, 1848) American writer Stephen Crane slipped a double genitive into one of his short stories: Oh, just a toy of the childs, explained the mother. Shes grown so fond of it, she loves it so.(The Stove, in Whilomville Stories, 1900) And in a recent novel, author Bil Wright doubled up on the construction: Hed already proved he was a liar. And he had a girlfriend even though he wasnt divorced. No, not a monster. But definitely an enemy of my mothers and mine.(When the Black Girl Sings, 2008) As these examples demonstrate, the double genitive is generally used for emphasis or clarification when the possessor is human. But watch out. If you stare at it too long, you may convince yourself that youve found a mistake. Apparently thats what happened to one of the original language mavens, James Buchanan. Back in 1767, he tried to outlaw the double genitive: Of being the sign of the Genitive Case, we cannot put it before a Noun with (s) for this is making two Genitives.(A Regular English Syntax) Keep in mind, as pointed out in Merriam-Websters Dictionary of English Usage, that the 18th-century grammarians simply had a horror of anything double, because such constructions did not occur in Latin. But this is English, of course, not Latin, and despite its apparent redundancy, the double genitive is a well-established idiom- a functional part of the language dating back to Middle English. As Theodore Bernstein says in Miss Thistlebottoms Hobgoblins (1971), the double genitive is of long standing, idiomatic, useful and here to stay. Finally, consider Martin Endleys demonstration of how the double genitive can be used to draw distinctions: (59a) I saw a statue of Queen Victoria in the park.(59b) I saw a statue of Queen Victorias in the park.Sentence (59a) can only mean that the speaker saw a statue depicting the great British monarch. On the other hand, the double genitive in (59b) would most naturally be understood to mean that the speaker saw a statue that once belonged to Queen Victoria but which depicted someone else.(Linguistic Perspectives on English Grammar, 2010) All the same, if the double genitive troubles you, just follow the example of linguists Rodney Huddleston and Geoffrey Pullum and call it something else: The oblique genitive construction is commonly referred to as the double genitive. . . . [H]owever, we do not regard of as a genitive case marker, and hence there is only one genitive here, not two (The Cambridge Grammar of the English Language, 2002).

Monday, November 4, 2019

The Retail Environment and the Supply Chain of Online and Offline Assignment

The Retail Environment and the Supply Chain of Online and Offline Retailing of the Music Industry - Assignment Example It is evidently clear from the discussion that home stereos had initially become popular and truly affordable during the 1980s, which brought about a boom in home entertainment devices. At that period of time, it was unimaginable that in the following two or three decades, record shops would barely exist anymore. However, the shift in buying patterns of the consumers from offline to online retail has led to the stark reality where physical shops have nearly disappeared from the retail panorama. With fewer shops, there is the even lesser number of distributors catering to the offline retail chain. The prices should be compared against that of competitors and price adjustments should be made accordingly. A product tracking interface could be developed in order to track and assert all the titles so that those can be stacked in one place. Comparing products against those of the competitors helps the retailer to gain better knowledge pertaining to product positioning strategies. The produ cts assorted can be further filtered in terms of discount range, price range, publisher, and genre. The retailers can make use of advanced technological developments to analyze the assortments by genre, music company, price range, singers or other dimensions that are deemed fit. The gaps, thus, discovered in the product catalog will help strengthen assortment structure of the retail shop and the weak categories can be developed by benchmarking assortment against that offered by the competitors. Keeping tabs on the competitor’s product strategies is an important part of successful retailing. The music albums that the competitors are featuring as well as the genres wherein heavy discounts are being offered should be researched. Apart from being up-to-date with the competitor knowledge, the retailer must also upgrade his stocks appropriately such that titles and albums promoted by the competitors are available and priced attractively. The retailer should be able to receive alert s on stock outs, price changes, promotions for the key titles and new introductions.

Saturday, November 2, 2019

Why I wish to attend Virginia Commonwealth University Essay

Why I wish to attend Virginia Commonwealth University - Essay Example When it comes to quality of education offered at VCU, I think there is nothing to worry about. It's a world class university, and I know my certificates will be recognized and respected wherever I find myself across this world. For that reason, I feel that is the right place for me to study. I developed this interest after a summer visit to the campus and consultations with other students who had graduated from this university. They students gave me an insight of what life in this university is really like. And I liked it. The security standard in this school, as well as its proximity to my home is all an added advantage. Emergency telephones across the campus give me a sense of security. It's difficult to study in an insecure environment. I wish to make a name for my self and I am convinced that Virginia Commonwealth University will help me achieve this dream. The university's international student population would also give me the privilege to study in a culturally diverse environment. That means I will study about the cultures of different peoples without having to travel out of this country. After talking to a representative who came to my school to inform me about VCU, my intentions were clear and I 'm ready to attend VCU. He clearly brought out the advantages of studying at VCU compared with the other universities. They were just enormous. And the difference was absolutely clear. I just saw my dream university in VCU.

Thursday, October 31, 2019

Medicine and Mathematics Essay Example | Topics and Well Written Essays - 750 words

Medicine and Mathematics - Essay Example This can, probably, be a meticulously suitable premise of physiology which is a quantitative science. Today, mathematics is applied in the every-day life while facilitating health care for people around the world. Statistical graphs of epidemics, success rates of treatments, X-rays and CAT scans are some of the examples where mathematics is applied by all mathematical professionals. CAT Scans are one of the most advanced ways in which medical veterans bring math into use. A CAT scan is a special kind of x-ray known as a Computerized Axial Tomography Scan. A standard x-ray is capable of providing with a two-dimensional view of a specific part of the body. Further, if a smaller bone is concealed amidst the x-ray machine and the larger bone, it is not possible to view the smaller bone which is like a shadow (Article, 2009). The process has developed commonly and it is quite difficult to understand the way it has developed into a miracle. CAT scan has the capability of providing an image of what a real segment would look like, however, without any real slicing (Phillips, 1999). This technique is strongly reliant on the X-ray penetrability of various tissues, similar to the conservative X-ray imaging. However, the difference lies with the fact that here, as an alternative to a single 2-dimensional X-ray image, a sequence of 1-dimensional X-ray images, which is clicked from various angles, is coalesced again mathematically into a single image of a 2-dimensional segment. Mathematics allows the reconstruction of a 2-dimesional cross-section of an entity from a sequence of 1-dimensional samplings of similar density. This technology is called the Radon Transform (Phillips, 1999). 2.2 Analysis of DNA DNA filaments are comprised of a number of joint molecules called nucleotides. Particular groups of these molecules tend to perform definite functions that are known as genes which reside in the nuclei of cells. Genes are comprised of codes for manufacturing essential substances for the body. With efficacious coding for proteins, genes have the propensity of recognizing the sequence of events which produce the traits of bodies, such as from blue eyes to blond hair, or even allergies. The passage of genes through generations helps passing on the traits as well. In case of alteration of the genes, traits are altered too, often leading to harmful results. Fascinatingly, segments of DNA tend to break and unite, thereby, scuffling the order of genes. As a result, for the reason that such changeovers possess mathematical prospects, there are various features of DNA which can be derived by knowing such prospects (Casey, 1992). Here, mathematics matches genetic sequences and such researches give way for many other aspects of genetic research as well. 2.3 Molecular Modeling Various algorithms have been deduced for molecular modeling

Tuesday, October 29, 2019

Quantitative reasoning Essay Example | Topics and Well Written Essays - 750 words

Quantitative reasoning - Essay Example According to Thomas Day: â€Å"If adverse drug reactions were classified as a disease it would rank as the fifth leading cause of death in the United States.† (â€Å"About Medical Care for The Elderly†, n.d.) Elderly people consume nearly 30% of all drugs. This group of people takes drugs more than any other social group. Elderly people have many different problems with their health, that’s why they take medicine to relieve pain in different parts of body. One of the main problems for them is taking medicine. The interaction of drugs is the most dangerous. The average elderly person takes nearly three-four prescription medicine at a time. Sometimes people don’t understand that there are some side effects. The combination of drugs can be very necessary for effective treatment, but it needs special attention and care. Elderly people are more sensible to medicine than young ones are, because of the changes in functions of the organs such as kidneys, liver, etc. If there is too much medicine in the blood elderly people can face such side effects as memory loss, dizziness, retention of fluids, confusion, internal bleeding, sometimes even death. They are also more sensible to particular side effects. Dosage is very important. It must be taken into consideration that the level of dosage for young people won’t do for older ones. Usual doses and their frequencies are too high for them. Inappropriate dosage can be dangerous and cause many problems. But there are exceptions when older patient needs a high level of medications, for example, in case when resistance in the cells is being treated. Another problem is inobservance of dosage and its frequency by older people. Some of them take more than it is prescribed trying to recover faster, some neglect taking all necessary medicine in time or refuse to take it at all, some of them have problems with memory or confusion. That’s why it is extremely important for care

Sunday, October 27, 2019

The Cradle Will Rock Review Theatre Essay

The Cradle Will Rock Review Theatre Essay The show The Cradle Will Rock written my Marc Blitzstein is a piece of work that reflects the struggles and politics of its time. In researching this show and it original production, one has to also know about the events in history surrounding and affecting the lives of every-day Americans. Then one must realize how these experiences influenced and inspired the creativity and brilliance behind Blitzsteins vision and the creation of The Cradle Will Rock. It is in specific events of the nineteen thirties that sparked, what was for its time, a controversial incident in the history of theatre had never before transpired. When the Depression began Herbert Hoover was the President and then in 1932 Franklin D. Roosevelt was elected President. Roosevelt, seeing his country in a state of decline, lunched what is referred to as The New Deal, a series of economic programs to get American back on its feet. One of these programs was The Works Progress Administration or the WPA which aimed to find jobs for the unemployed. The WPA consisted of five Federal One projects and the Federal Theatre Project or FTP was one designed for employment of out-of-work artists, writers, and directors, with the secondary aim of entertaining poor families and creating relevant art. Other event s that lead to important plot points of Blitzsteins The Cradle Will Rock where the forming of unions and labor strikes. In Scott Millers An Analysis of The Cradle Will Rock he writes: The political atmosphere in America in 1937 was ripe for a show like The Cradle Will Rock. In 1936 not a single employee at U.S. Steel belonged to a union, but by February 1937, just five months before Cradles premiere, the steel workers had unionized and forced U.S. Steel to sign a collective bargaining agreement. In response to this new movement, anti-labor organizations were springing up all over America. With all this going on Blitzstein felt the need to express the frustrations of the union workers, but the creation of The Cradle Will Rock first began with a single song call Nickel under the foot. It was performed for Bertolt Brecht a German poet, playwright, and theatre director. It was Brechts idea to take the song further into a full length show. Brecht said, Why dont you write a piece about all kinds of prostitution the press, the church, the courts, the arts, the whole system? (John Jansson) While he did not get to work on it right away the idea never left his mind. It was not until the death of his wife that he dove headfirst into the writing of the musical. It took him all of five weeks to complete his work of art, that of which he dedicated to Brecht. Troubles for Blitzstein came when it was time for him to find a company that would accept his piece. Many companies though it to be too sensitive a subject with the recent troubles in America and its large political statement, all in all for many it seemed too risky. But that would not stop Blitzstein in finding a way to get his play to the people; he would not give up his quest to make his message heard. A message many Americans needed to hear. The plot of The Cradle Will Rock as explained on Musical Heaven is as follows: Moll, a streetwalker in Steeltown USA is arrested and finds herself in Night Court witnessing the arraignment of The Liberty Committee, a handful of distinguished citizens who are opposed to organizing activities by the Steelworkers Union. In an ironic twist of fate, they have been mistaken for union organizers and arrested. A drunken vagrant, once a prospering pharmacist, explains to Moll how this minister, newspaper editor, doctor, college president, professor and artist have all sold their principles for money and power. The wealth and authority of Mister Mister, a leading industrial boss, has corrupted the city, and the process is also revealed in the committee members furtive dialogues and strained efforts for release. Ultimately the chief union organizer, Larry Foreman, is brought into court. An uncompromising and charismatic man, he exemplifies how one person can make a difference and gives hope to the bitter prostitute and druggist. When Steeltowns boss, Mister Mister, arrives at the courthouse to rescue his lackeys, he attempts to buy Foremans loyalties but is rebuked. At the conclusion, word arrives that other unions have joined with the Steelworkers struggle. Even the Liberty Committee, sensing the drift of things, abandons its rich patron. Mister Mister, cowardly and alone, realizes that working people have finally developed a backbone and that he has met his match. It was not until Orson Welles, an actor and theatre director who was working for the WPA at the time, had Blitzstein play it for producer John Houseman. This finally gave Blitzstein his big break. Houseman loved the concept and put it into production straightaway. With Orson Welles as the director the vision of the show started taking shape, perhaps it was a vision that Blitzstein was not expecting. Blitzstein believed in his characters two-dimensionality. He viewed them more as cartoon characters, larger than life. But with the direction of Welles he wanted a spectacle. As read in the article The Cradle that Rocked America Joseph Gustaitis writes: As director, Welles launched himself into The Cradle Will Rock with characteristic Wellesian style, promising Houseman a grandiose production that would be extremely elaborate and expensive. It was. Welles vision would expand to include a 44-member chorus, a 28-piece orchestra, and a set design that used large glass carts to shift scenes. (20) At this time The FTP, and its director, Hallie Flanagan began experiencing pressure from conservative congressmen. Although not directly some congressman had even enquired as to whether there was Communist Ideals in the FTP. It seemed that there would soon be budget cuts made in the WPA Federal theater program. On June 12 word from Washington came through that budget cut were indeed a reality. It read, any new production scheduled to open before July 1, 1937, must be postponed(Gustaitis). This news fell hard upon Welles and Housemen. They then hear news Actors Equity would not permit any of their members to appear on stage, and that the Musicians Union had imposed conditions making it impossible to have an orchestra in the pit (Jansson). They believed that they show would now never open. When they arrived at the Maxine Elliott Theater they found armed guards surrounding the entrance and a pad lock on the door. People in the streets gathered to see what all the commotion was all about. Seeing the crowd wells and housemen realized that, as the saying goes, the show must go on. All they needed was a venue and a piano, and since Blitzstein was not part of any union he could play, sing and act out all the parts. With the Venice theatre willing to open house to them for a small fee and the piano found and on its way, Welles song out to the crowd that The Cradle Will Rock will open as planned in the new location featuring Marc Blitzstein himself. The people gathered and begin to follow them some twenty blocks to the Venice Theater. Onlookers joined the parade, and the crowd grew larger. By nine oclock every one of the Venice theatres 1742 seats were filled (Jansson).

Friday, October 25, 2019

James Baldwin Essays -- Biography Bio

For The World to See James Baldwin was a man who wrote an exceptional amount of essays. He enticed audiences differing in race, sexuality, ethnic background, government preference and so much more. Each piece is a circulation of emotions and a teeter-totter on where he balances personal experiences and worldly events to the way you feel. Not only did he have the ability to catch readers’ attention through writing, but he also appeared on television a few times. Boston’s local public television station WGBH, under the leadership of Hartford Gunn, presented an array of educational and cultural programming. Similar to an earlier interview, in a 1963 taping of â€Å"The Negro and the American Promise,† Baldwin is interviewed by Dr. Kenneth Clark. This happened just months after Alabama’s governor, George Wallace, expressed his support of â€Å"segregation forever† (qtd. in PBS Online). To inflect the possibility that blacks were not as equal or fairly treated as whites in the mid-twentieth century, two very different African Americans were brought on air. Malcolm X based his interview on historical and present references, but James Baldwin took a more personal approach. As a grown black male Baldwin had encompassed a range of experiences, both horrifying and gratuitous. Those occurrences most treacherous were a focal point when he adds that, â€Å"It doesn’t matter any longer what you do to me; you can put me in jail, you can kill me. By the time I was 17, you’d done everything that you could do to me† (â€Å"The Negro† 2). Reflecting back on â€Å"Down at the Cross† for a moment, Baldwin starts by explaining the metamorphosis of both the black girls and boys. Most of his friends became pimps and whores, and the b... ...erance for those who are disrespectful, but realizes that people can and hopefully will change and that we need each other to change. The New York Times described the James Baldwin segment as "a television experience that seared the conscience" (qtd. in PBS Online). In one instance Baldwin makes a hearty and honest â€Å"can’t we all get along† statement. â€Å"In short, we, the black and the white, deeply need each other here if we are really to become a nation – if we are really, that is, to achieve our identity, our maturity as men and women† (Baldwin 342). Works Cited Baldwin, James. â€Å"Down at the Cross.† 1962. James Baldwin: Collected Essays. Ed. Toni Morrison. New York: Library of America, 1998. 296-347. â€Å"The Negro and the American Promise.† Citizen King. 2004. PBS Online. 10 Mar. 2004 . James Baldwin Essays -- Biography Bio For The World to See James Baldwin was a man who wrote an exceptional amount of essays. He enticed audiences differing in race, sexuality, ethnic background, government preference and so much more. Each piece is a circulation of emotions and a teeter-totter on where he balances personal experiences and worldly events to the way you feel. Not only did he have the ability to catch readers’ attention through writing, but he also appeared on television a few times. Boston’s local public television station WGBH, under the leadership of Hartford Gunn, presented an array of educational and cultural programming. Similar to an earlier interview, in a 1963 taping of â€Å"The Negro and the American Promise,† Baldwin is interviewed by Dr. Kenneth Clark. This happened just months after Alabama’s governor, George Wallace, expressed his support of â€Å"segregation forever† (qtd. in PBS Online). To inflect the possibility that blacks were not as equal or fairly treated as whites in the mid-twentieth century, two very different African Americans were brought on air. Malcolm X based his interview on historical and present references, but James Baldwin took a more personal approach. As a grown black male Baldwin had encompassed a range of experiences, both horrifying and gratuitous. Those occurrences most treacherous were a focal point when he adds that, â€Å"It doesn’t matter any longer what you do to me; you can put me in jail, you can kill me. By the time I was 17, you’d done everything that you could do to me† (â€Å"The Negro† 2). Reflecting back on â€Å"Down at the Cross† for a moment, Baldwin starts by explaining the metamorphosis of both the black girls and boys. Most of his friends became pimps and whores, and the b... ...erance for those who are disrespectful, but realizes that people can and hopefully will change and that we need each other to change. The New York Times described the James Baldwin segment as "a television experience that seared the conscience" (qtd. in PBS Online). In one instance Baldwin makes a hearty and honest â€Å"can’t we all get along† statement. â€Å"In short, we, the black and the white, deeply need each other here if we are really to become a nation – if we are really, that is, to achieve our identity, our maturity as men and women† (Baldwin 342). Works Cited Baldwin, James. â€Å"Down at the Cross.† 1962. James Baldwin: Collected Essays. Ed. Toni Morrison. New York: Library of America, 1998. 296-347. â€Å"The Negro and the American Promise.† Citizen King. 2004. PBS Online. 10 Mar. 2004 .

Thursday, October 24, 2019

Benefits and Costs to U.S. Adoption of IFRS

There are different ways in which researchers can present the findings of their research to readers or users of the research information. It is important to follow all the rules of research presentation in order for the research information to be clear to all the people who rely on it. This paper aims at analyzing the article on the costs and benefits of US adoption to the IFRS system of accounting by David Albrecht.The aim of this paper is to analyze whether the author has followed the necessary steps and format in presenting the findings on his research, in order to evaluate whether it meets the international standards for presenting research papers. Summary. According to Albrecht (2008), the author carries out a cost benefit analysis in order to evaluate whether the decision to change from GAAP standards to IFRS, by US firms is feasible. He uses the incremental analysis model to come to a conclusion on the subject.He finds that the costs outweigh the benefits, considering that the cost of changing the system in monetary terms is over $3 million. These costs arise from the need to train accountants and conversion costs for companies. The benefits amount to $100 billion, from reduced audit fees. He therefore concludes that the accounting system should not be changed. The paper is written for a general audience judging from the absence of corroborated arguments and evidence from secondary and primary sources, required by experts. Organization. The research paper has not been organized into clearly defined parts.It has been written as one long essay which is not structured into different parts, and this may present problems to readers who are keen to analyze various arguments by the author. A basic research paper should include an abstract, an introduction, the background of the problem, literature review, research methodology and findings, analysis of findings and finally a conclusion and recommendation of the issues discussed (Kothari, 2005). However, in analy zing the article, the author gives a very brief introduction in the first line. He says that US corporations face dilemmas in deciding whether to adapt to the IFRS system or not.He further explains in the second paragraph that this decision should be guided by incremental analysis. This means that the benefits of adapting to the IFRS system should outweigh the costs of the same decision. Research. The author supports his research using the incremental analysis framework. He further uses quotes from the US Securities and Exchange commission. However, he does not quote the source of this information, which makes it difficult to determine the authenticity. Since the research does not cite the references, it is difficult to know the documentation style.It also becomes difficult to know whether the author is paraphrasing quotes from other researchers. Style. The author uses the present tense in writing the article throughout the paper. However, he uses the first person and third person w hen writing different parts of the paper. The first person tense is used when he gives his own opinion, for instance, in the last sentence of the article he says that â€Å"†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦ is the reason why I oppose switching from GAAP to IFRS†. He uses contractions in some parts of the paper, for instance in the eleventh paragraph where the last sentence says â€Å"Let's say another trillion†.The overall grammar used in the article is relatively poor, due to the use of slang, contractions, and short forms among other grammatical mistakes. For instance, in the seventh paragraph, he says â€Å"execs' instead of executives Conclusion. The paper lacks some aspects of research work, most of which have been explained. The author does not also have references to sources which have been used for research. The content can also be said to be biased, since the author does not mention the connection between the GAAP standards and collapse of mortgage crisis in firms like L ehman Brothers.GAAP standards and specifically asset valuation was one of the causal factors of its downfall. However, the article is useful as it can serve as a source of doing further research on the subject. In future, the author should ensure that his research confirms to all aspects of research work. References. Albrecht, D. (2008). Benefits and costs of adoption of IFRS. Retrieved on January 26, 2008 from . Kothari, C. R. (2005). Research Methodology: Techniques & Methods. New York: New Age Publishers.

Wednesday, October 23, 2019

Television, a Waste of Time And Money Essay

Television has become progressively more popular through the old ages since it was foremost invented. In fact it is so popular that about every place in America has one or more telecasting sets. Television started when Edwin Belin. an English adult male. held the patent for the transmittal of exposure by wire every bit good as fibre optics and radio detection and ranging. which demonstrated a mechanical scanning device that was an early ascendant to modern telecasting. With Television sets about everyplace in sight. a job with non merely the young person of America but besides affecting teens and grownups has erupted. As the popularity of Television increased so did the hours watched and hence. the rate of force sky rocketed. If the hours of telecasting exceed three hours a twenty-four hours the rate of force both seen and committed additions dramatically. In 1993. the mean kid was watching 8. 000 slayings and 10. 000 Acts of the Apostless of force before go forthing simple school ( Hepburn 244-249 ) . With all the picks of premium overseas telegram. HBO and many others. it’s non surprising that Television is lifting in monetary value excessively. Television has caused legion Acts of the Apostless of force and the statistics are still lifting. If the hours of telecasting are slimmed to less than an hr a twenty-four hours the violent Acts of the Apostless. will diminish. Many people watch telecasting as a everyday and mundane at about the same clip they will watch their favourite show or shows. Blending telecasting into your day-to-day modus operandi is non merely bad for you but sets aside precedences that are more of import like school work. Television draws in Families every dark About every household in the USA tickers premier clip telecasting ( 5-9 o’clock ) on hebdomad darks and with 99 % of families that own at least one telecasting. there are non many households that don’t watch Television on hebdomad yearss ( â€Å"Television† ) . In fact. surveies show that 66 % of U. S. places have three or more Television sets ( â€Å"Mediascope† ) . It is really dearly-won non to advert if you are in hunt to purchase the newest or biggest telecastings out at that place. Televisions non merely can set a strain on a household financially but with some households that watch up to or more than three hours of Television it can side track a household from its aims. During the 90’s each household averaged approximately 50 hours of telecasting weekly ( â€Å"Teen-agers† ) . Now come ining the new decennary the statistics have grown with the new types of telecasting since the 90’s. Once households start watching Television. it becomes a everyday that is non easy to interrupt. Many households are drawn to competition shows. where the whole household can take part and play along. The Steady Increase of Violence on Television Shows Television shows have become more violent in clip and it targets the young person and manipulates the kids to believe it is acceptable to perpetrate Acts of the Apostless of force. 59 % of force is shown on basic overseas telegram which is what most kids watch ( â€Å"Mediascope† ) . Children are really easy swayed to happening person to look up to. Many childs are into the â€Å"bad guys† and the strongest or most evil Television characters out at that place. When kids idolize characters on telecasting they are more likely to move the manner they do. 67 % of plans depict force in a humourous manner ( â€Å"Mediascope† ) . Showing the Acts of the Apostless of force in a humourous manner makes it look harmless to the kids. Childs who have premium channels on their telecastings are even more prone to perpetrating a violent act. Shows like HBO’s Oz. averaged 76 violent Acts of the Apostless per episode ( Hepburn 244-249 ) . Cartoons frequently depict at that place secret plans in a violent manner. Cartoons are a perfect illustration that shows how the young person of America is targeted at an early age. The major Television webs like Fox. CBS. and ABC play a large function in the rise of force across the state. Television webs like these. feel that force brings in the viewing audiences and the more viewing audiences the more money that the web makes. When Television was merely turning in popularity. the shows so were a batch different. Of class. there was still some force but really limited and no swear words or realistic particular effects. For illustration â€Å"Leave it to Beaver† and â€Å"Dike Van Dyke† which started in the 50’s. was non-violent and still popular plenty to draw in the viewing audiences get downing whole new tendencies. Today on the other manus. realistic effects to do horror scenes seem about existent have corrupted the populace. Shows like â€Å"CSI† and â€Å"Space Troopers† have legion violent Acts of the Apostless that are really in writing particularly to childs. The alteration through the decennaries has been great and more become more violent than of all time. What is to come in the hereafter? Will the force become even more vi olent? Or will at that place be a halt to the up rise in violent Acts of the Apostless all together? Television Effectss In the long tally. telecasting will impact non merely kids but teens and grownups excessively. With all the violent Acts of the Apostless seen on about every Television show the kids become frightened of the universe around them. â€Å"Eventually after watching all these offenses and violent Acts of the Apostless. the kids will be less sensitive to trouble and agony of others† ( Zuckerman ) . As most parents know. kids will make what they see. Many kids. non cognizant of what’s incorrect and right yet. will â€Å"mimic what they hear and see on TV† ( Zuckerman ) . It’s a parents occupation to watch over his or hers child and make certain they are non witnessing an inordinate sum of refuse or telecasting. presuming the parents are stable and non already addicted to Television. Statisticss show that teens ticker more telecasting than anything else that includes listening to music and reading ( â€Å"Mediascope† ) . Teenss are now in the old ages of re bellion against their parents and want to watch more mature shows that they can associate to. â€Å"Most adolescent prefer grownup scheduling that trades with turning up. drugs. sex and alcohol† ( Zuckerman ) . Teens that are stressed out by mundane things like school. classs and parents are more likely to watch Television every free minute they get. Television gives them a opportunity to loosen up and bury about day-to-day jobs and problems. Adults are besides portion of the rebellion in violent Acts of the Apostless committed due to the effects of telecasting. 76 % of typical violent culprits are grownups ( â€Å"Mediascope† ) . As we look around the violent universe we live in. it’s non flooring that all kids turn out as a deranged felon or liquidator particularly when kids look up to grownups for counsel. With the offense rates steadily increasing and telecasting in the hot place for the incrimination possibly a forbiddance of telecastings is in order. TV’s influence on the population Television affects everybody including childs. teens and grownups when they watch inordinate sum of Television each twenty-four hours. Parents should restrict there childs while they are immature so it’s non difficult to draw them away when they’re in their adolescent old ages. Today shots and slayings are more common than 20 old ages ago and no happenstance that the mean hours of telecasting a twenty-four hours have been lifting of all time since. Television makes existent slayings seem like nil to childs because they don’t yet understand the world from their Television universe. If the childs watch inordinate sums of Television when they are truly immature. they will respond to what they saw on Television when they are in a crisis or job in there life. when they grow up. Television is one of the negative effects of engineering and detecting new things. â€Å"Our findings suggest that responsible parents should avoid allowing their kids to watch more than an hr of Television a twenty-four hours. † ( Hepburn 244-249 ) . Hepburn besides stated â€Å"I was surprised to see a five fold addition in aggressive behaviour from less than one hr to three or more hours† ( Hepburn 244-249 ) . The universe with telecasting does non travel manus in manus any more. With force quickly increasing. the offense rates rocketing. it’s lone clip before there’s no more Television or people left. Television. in the terminal These big doses of telecasting are shown by the offense rate of today. Children who watch more than three hours of Television a twenty-four hours are really likely to perpetrate a violent act with in their life. Television will likely be about for a really long clip and it is the parents that are responsible for how much clip their childs ticker. Parents are non to be blamed wholly but there is a good portion that does rely on them to steer their childs the right manner and restrict the hours of Television they watch mundane. Jennifer Zuckerman claims â€Å"parents are responsible on how much Television is allowed and what stairss should be taken† . If you watch your kids and bound there hours of Television a twenty-four hours there is a good opportunity that the child will be less likely to be involved in a violent act. Television is normally a consequence of ennui. a clip to loosen up and non make any physical work. 73. 5 % of people watch Television when they are non making any thing ( â€Å"Television† ) . Television is a major cause of the bulk of violent Acts of the Apostless committed in the last few old ages. The lone manner for a lessening in the nation’s force is to restrict the sum of telecasting we watch and to restrict the kids from big sums of telecasting. If the rise of force still increases at a steady velocity. the lone manner to halt it is to either travel to the manufacturers or convert the people to turn on telecastings and take them from their places. Plants Cited Hepburn. Mary A. â€Å"TV Violence! A Medium’s Effectss Under Scrutiny. † Social Education. Sept. 1997: 244-249. SIRS Researcher CD-ROM. CD-ROM. SIRS Mandarin. Fall 2002. â€Å"Mediascope. National Television Violence Study. † Executive Summary. 1994-1995: N. P. SIRS Researcher CD-ROM. CD-ROM. SIRS Mandarin. Fall 2002. â€Å"Teen-agers Who Watch More Television are Prone to Violence† . The Seattle Times. March 28. 2002: N. P. SIRS Researcher CD-ROM. CD-ROM. SIRS Mandarin. Fall 2002. â€Å"Television Violence: A Review of the Effectss on Children of Different Ages† . Science 1995 ; N. P. Zuckerman. D. â€Å"What is to Blame for Youth Violence? † 21. March. 2003. World Wide Web. surgeongeneral. gov/library/youthviolence